Learn how to use Final Cut Pro 5, DVD Studio Pro 4, Motion 2, Soundtrack Pro, and Compressor 2 effectively and professionally.Discover how to optimize a workflow that meets your needs.Examine the pros and cons of both compressed (software only) and uncompressed (third party hardware enhanced) workflows.What skills am I going to get from this course? With this excellent discount course you can expect professional qualification, which will enable you to enhance your CV in no time, and for less! Learn for less with 1Training discount courses online! You’ll love 1Training’s excellent quality, competitive prices, and first class learner support. So, you can access your course on Wi-Fi, 3G or 4G. Our Course is fully compatible with PC’s, Mac’s, Laptop, Tablet and Smartphone devices.Join our friendly online learning platform.Get support by phone, live chat, and email.You'll be eligible for an NUS Discount Card.Free both e-certificate and printed certificate.This course is opened to anyone with an interest in the topic and give you access to world-class learning led by 1Training International.ġTraining International works in partnership with NUS, so all registered 1Training learners can get an NUS Extra discount card, which gives you amazing discounts on thousands of products from the biggest companies. We will offer you the opportunity to study 24/7 wherever you are in the world. This Final Cut Studio will be the ideal solution and the easiest course you will experience. The course is taught by an expert instructor who has deep knowledge of non-linear editing, compositing, and high-end 3D animation software to help you yield high quality results in less time. This Final Cut Studio course explores the pros and cons of both compressed (software only) and uncompressed (third party hardware enhanced) workflows. In addition, learners on this Final Cut Studio course will discover all the ins and outs of working with HDV, the exciting new video format that lets you create HD content on a DV budget. That way we get the slate and any other project data we need, and we don't lose any footage during the edit session.This excellent Final Cut Studio course focuses on Post-Production Workflow and it will provide a wide range of solutions and configurations to enhance your productivity. So when you are ready to shoot, turn the camera on and record for about 10 seconds before you begin shooting the action you're after. So, you may not visually see a time-code break, but Final Cut Pro will sense a break, based on the deck being turned on and off. For example, the servos on the F900 camera don't come up to speed during Record until about five seconds. Again, the goal is to ensure that they have success and spend the least amount of effort in the post environment. We also work with people using the Sony F900 or Panasonic VariCam in the field and have certain tricks we pass on. Then when we edit, we don't get the lagging and can take advantage of the real-time advantages, as opposed to the computer having to figure out the GOP structure each time there's an edit point. It comes in component off the deck, and we then convert it so that each frame is seen by the edit timeline as a There's no quality hit and FCP just handles it better. When someone shoots on HDV, we prefer to cross-convert the footage to a DVCPRO format. HDV, for example, is problematic for most NLE systems, even those that say they are “native” compatible. Q: Does FCP work with some HD cameras better than others?Ī: I'm always interested in how the footage is going to affect the editing experience.
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